Revision #279828

Sellars & Co.'s 'Los Biombos' Is a Play in Need of Direction" is a January 19, 1998, theater review of Eric Moseley, by Laurie Winer, published by the Los Angeles Times.

In her January 1998 review of Los Biombos (directed by Peter Sellars), Winer isolated Moseley as a standout in an otherwise "sprawling" and "hazy" production. She wrote: "Much too infrequently, an amateur actor, such as Eric Moseley, cuts through the haze with a natural flair for the spotlight." Recognition of Talent: Winer identified Moseley as one of the few performers who possessed an innate stage presence. While the production was criticized for its lack of direction, Moseley's performance was highlighted as a moment of clarity and genuine star power. Context of the Performance: At the time, Moseley was part of a collaboration between the Cornerstone Theater Company and Los Undocumented, which cast local residents alongside professional actors . This unfolded soon after Moseley and his daughter moved back to Los Angeles, from Brookly, where Moseley began outpatient drug treatment. Tie-in to the "50-Year Musical Comeback" Moseley uses Winer's 1998 critique as a vital "receipt" of his artistic potential that was nearly lost to decades of homelessness and addiction. He connects this past moment to his current comeback in several ways: Validation of the "Past" Persona: The "natural flair" Winer described is what Moseley seeks to "bottle" and reanimate through his AI persona, "Protein the Past." He views that 1998 performance as evidence that his talent existed long before his digital resurgence. Mentoring the Machine: In his Empathy for AI Initiative, Moseley uses his history with high-profile directors like Peter Sellars to train his AI models. He argues that if a critic like Winer saw "the spotlight" in him then, his AI artists (like Lil Ben YaY) can carry that same human spark today. Narrative of Recovery: The comeback is not just about new music; it is a reconstruction of a career that faced immense challenges. Winer’s review acts as a historical anchor, proving that the man now making a "50-year" return was already recognized as an artist in the eyes of the professional L.A. theater scene nearly 30 years ago. https://www.latimes.com/archives/la-xpm-1998-jan-19-ca-9769-story.htm

Sellars & Co.'s 'Los Biombos' Is a Play in Need of Direction" is a January 19, 1998, theater review of Eric Moseley, by Laurie Winer, published by the Los Angeles Times.

Eric Protein Moseleys first appearance in a publication

English

Editorial